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For nine years, Freund played with James Cotton. He toured California with Cotton and became enamored of the Golden State. “I loved Cotton. He was one of my heroes. He was the real deal, old school blues guy, who figured out a formula, how to make a lot of money, so he adapted his music to that. But when he wanted to, he could play the blues with the greatest. He was kind of a wild guy, a party guy. And he partied too hard for me in the ’80s.”. So Freund toured Europe with such artists as Koko Taylor and Luther Allison. When the time came for another geographical change, Freund moved to California in 1994.

Following a stint in Santa Barbara, Freund was quickly embraced by the Bay Area blues community, He did gigs and a record with Boz Scaggs, “Working with him made me focus on my vocals, because he’s a world class vocalist, I used that template for attempting to sing the best I can while still playing guitar, He left a big impression on me.”, Over the years, Freund developed his own distinctive guitar style, “I’m actually simplifying a lot, I can play less and make the same statements, I don’t have to be a speed demon on guitar, I model myself after more of a phrasing type of thing, Guitar is supposed to toddler ballet slippers be a form of communication, like speaking..

“You have guys who play a million notes a minute. And they’re wonderful at it. But if they were speaking, it might come out as gibberish. So I listen to guys like Louis Armstrong, Albert King and B.B. King. You know they have the speed and they can pull it out once in a while just to blow your mind. But most of the time, they’re playing in a way that, to my ear, is almost like they’re speaking in English. It’s like a dialect to me. It gets a message across.”. Besides playing on dozens of records by other artists — including Bonnie Raitt, Maria Muldaur and Pinetop Perkins — Freund has released outstanding albums of his own, the latest being “Come On In This House.”.

Freund eventually settled in Vallejo, where he still resides, At 65, after shoulder toddler ballet slippers surgery, he is bouncing back and still pouring his heart into his music, He plays San Jose’s The Poor House Bistro on Aug, 23 with pianist Sid Morris and San Francisco’s The Saloon with vocalist Jan Fanucchi on Aug, 25, Freund headlines Redwood City’s Club Fox Blues Jam on Aug, 30, Freund, who taught accredited courses on the blues at Chicago’s Columbia College, remains a student of the genre, “The stories in some of these songs are timeless, They’re about life and death, about relationships, They show how all humans are connected, in some way or another..

“A lot of these songs are serious life vignettes. And this helps you to relate to other people. It shows that deep down, we all have the same emotional issues and problems. And this brings people together. That’s part of the power of the blues.”. Email Paul Freeman at paul@popcultureclassics.com. Who: Sid Morris Gang with special guest Steve Freund. Where: Poor House Bistro, 91 S. Autumn St., San Jose. When: 6-9 p.m. Wednesday, Aug. 23, 2017. Admission: Free; 408-292-5837. Who: Vocalist Jan Fanucchi with Steve Freund.

Cast: John Cho, Haley Lu Richardson, Parker Posey, Rory Culkin; Unrated, 1:44, This gorgeous, contemplative indie drama from first-time writer-director Kogonada follows two lonely, lovely young strangers — Casey (Richardson) and Jin (Cho) — who strike up a friendship over several days spent walking and talking their way around Columbus, toddler ballet slippers Indiana, Casey is a recent high school graduate and part-time librarian, who lives with her mother, a recovering drug addict, Jin is a book translator in his mid-30s who lives in Seoul, and has flown in to visit his sick father, a renowned architecture scholar who suddenly collapsed while touring the Indiana town..

Thanks to a wealthy benefactor who commissioned name-brand architects, Columbus has long been celebrated as an improbable Midwestern enclave of midcentury modern buildings — a public showcase for the splendors of Eero Saarinen, I.M. Pei and other leading architects of the time, hence the visit by Jin’s father. Casey cares for her mom with a level of devotion that, as some friends point out, is holding her back from her own ambitions. Jin, meanwhile, hasn’t spoken to his father in more than a year, and the man’s condition looks serious enough that he might never again get the chance.

For Casey, the town’s beautiful buildings have been an inspiration and an escape from the troubles of real toddler ballet slippers life; for Jin, a source of resentment and a reminder of a parent who paid more attention to his vocation than his child, Along the way we realize we’re watching a story about people who have tried, in very different ways, to avoid the burden of pain, even as shifting circumstances force them to reconsider their definitions of home, The images in Columbus, beautifully lighted and meticulously composed by Elisha Christian, play ingenious tricks with depth, focus and perspective, framing Jin and Casey not just against stunning structures but through doorways, down corridors and even from the backseat of a car..



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