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It’s a convoluted and gleefully twisted tale (though of course family-friendly) that might make you feel like Matilda’s librarian, practically giddy to see what happens next. Contact Sam Hurwitt at email@example.com, and follow him at Twitter.com/shurwitt. ‘MATILDA THE MUSICAL’. By Dennis Kelly and Tim Minchin, based on the novel by Roald Dahl, presented by Broadway San Jose. Through: March 12. Where: Center for the Performing Arts, 255 S. Almaden Blvd., San Jose. Running time: 2 hours and 45 minutes, one intermission.
From hard-hitting plays to a wild Balkan orchestra to the Red Hot Chili Peppers hitting town, the Bay Area’s got a stellar weekend coming up, arts and entertainment-wise, Here are some highlights from our writers, Wedding and Funeral music: Gifted guitarist-composer Goran Bregovic is bringing his entertaining trans-Balkan music outfit, the Wedding and Funeral Orchestra, back to soft soled ballet slippers the Bay Area for a series of concerts kicking off tonight, The group, which includes Bulgarian vocalists, Gypsy brass players and Belgravian string players, is known for its dazzling live shows, Besides leading this orchestra, Bregovic has also scored more than 30 films, Details: 7:30 p.m, today and Friday, 7 and 9:30 p.m, Saturday, 3 p.m, Sunday; SFJazz Center, San Francisco; $55-$100; 866-920-5299, www.sfjazz.org.— Jim Harrington, Staff..
Timely ‘Roe’ opens in Berkeley: When officials at the Oregon Shakespeare Festival commissioned Lisa Loomer (“Living Out,” “Distracted”) to write a play about Roe v. Wade as part of their American history cycle, they had no idea how timely the controversial landmark abortion case would become in Trump America. The debate over the nature of life and a woman’s fundamental right to choose is part of the fuel for this long-awaited world premiere production of “Roe.” Details: March 10 through April; Berkeley Rep’s Roda Theatre; $57-$100; 510-647–2949; www.berkeleyrep.org.— Karen D’Souza, Staff.
More than snapshots: San Francisco artist Erica Deeman’s just-opened exhibit in Berkeley, “Erica Deeman: Silhouettes” features 30 large-scale silhouettes of black women, At first look, the portraits seem to be black-and-white, but they are actually color photos and the subtle shades that emerge aim to challenge our perceptions of black identity and imagery, This marks the first major museum exhibit for the 40-year-old artist of British/Jamaican descent, Details: soft soled ballet slippers Through June 11; Berkeley Art Museum and Pacific Film Archive; 11 a.m.-7 p.m, Wednesdays, Thursdays, Sundays, 11 a.m.-9 p.m, Fridays-Saturdays; $10-$12 (regular admission); 510-642-0808, bampfa.berkeley.edu.— Randy McMullen, Staff..
Master manipulator: The boundary between truth and propaganda has always been a blurry one, and that’s especially so with the films of “Leni” Riefenstahl. Sarah Greenman’s play, opening this week in Berkeley, gives us a window into the creative mind of the controversial filmmaker best known for “Triumph of the Will,” considered a groundbreaking propaganda film that happened to be about Hitler. Jon Tracy directs a formidable cast, including Stacy Ross and Martha Brigham. Details: Through May 7 at Harry’s UpStage at Aurora Theatre, Berkeley; $36-$65; 510-843-4822, www.auroratheatre.org.— Karen D’Souza, Staff.
Reading this on your phone? Stay up to date on Bay Area and Silicon Valley news with our new, free mobile app, Get it from the Apple app store or the Google Play store, Having a (Medicine) Ball: Guitarist David Sturdevant isn’t so much a bandleader as the genial host of a soul-steeped musical feast, He got the Medicine Ball Band rolling playing on San Francisco streets and has kept the creative momentum flowing for 46 years by attracting an soft soled ballet slippers inordinately talented crew, For a March 10 anniversary celebration, he’s joined by tenor saxophonist Nancy Wright, pianist Charlie Hickox, veteran drummer Leon Joyce Jr, and the double-barreled vocal tandem of Terrie Odabi and Lady Bianca, Details: 8 p.m.; The Sound Room, Oakland; $15-$20; 510-496-4180, www.soundroom.org.— Andrew Gilbert, Correspondent..
Dancing to trauma: Choreographer Crystal Pite’s Kidd Pivot troupe and playwright-performer Jonathon Young’s Electric Company Theatre, both visiting from Canada, collaborate in “Betroffenheit” — an imaginative and vivid dance/theater exploration of psychological trauma. The two troupes perform in Berkeley March 10-11. Details: Presented by Cal Performances; 8 p.m. both days; Zellerbach Hall, UC Berkeley; $30-$86; 510-642-9988, calperformances.org.— Bruce Manuel, Staff. Family ties in Palo Alto: With two aged Japanese sisters estranged, their daughters try to bridge the divide while dealing with their own family matters in Velina Hasu Houston’s 2010 drama “Calligraphy,” which is getting its regional premiere beginning March 11 in a TheatreWorks production directed by company associate artistic director Leslie Martinson. Mia Tagano, Elizabeth Pan, Emily Kuroda and Jeanne Sakat star. Details: Through April 2; Lucie Stern Theatre, Palo Alto; $35-$86; 650-463-1960, theatreworks.org.— Randy McMullen, Staff.
Henri and Richard: In the show “Matisse/Diebenkorn,” SFMOMA traces the influence of French artist Henri Matisse (1869–1954) on American painter Richard Diebenkorn (1922–1993), who lived intermittently in San Francisco and Berkeley, The exhibition — encompassing 40 Matisse works and 60 by Diebenkorn — continues through May 29, Details: Admission is $27-$33 (including full museum access); 415-357-4000, sfmoma.org.— Bruce Manuel, Staff, Globe-trekking Baroque concert: The Akademie für Alte Musik Berlin, known for its seamless ensemble sound, returns to the soft soled ballet slippers Bay Area Saturday with a program of French, German, English, and Italian Baroque works, Highlights include Bach’s Brandenburg Concerto No, 4 and Handel’s Suite from “Almira”; music by Telemann, Rebel and Vivaldi are also included, Details: Presented by Cal Performances; 8 p.m.; Hertz Hall, UC Berkeley; $42-$64; 510-642-9988; calperformances.org.— Georgia Rowe, Correspondent..