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While SAP execs Jonathan Becher and Rob Glickman handled emcee duties, 49ers offensive tackle Joe Staley was there shaving heads and signing autographs, as well as donating $5,000 to the cause. And while this was the third year that SAP has hosted the event, it was a valley-wide affair, drawing folks from VMWare, Pure Storage, the Palo Alto Fire Department and even 35 students, ranging in age from 6 to 14. MUSIC AT MISSION: The Main Building at Mission College in Santa Clara is getting a musical sendoff on Sunday that will showcase the Mission College Symphony, which is celebrating its 10th anniversary.

Mission College is moving into its new student engagement center next year, and that probably means Sunday’s free celebration will be the last big event there, The Santa Clara Vanguard, which performed at Mission College’s opening in 1979, will kick things off at 1 p.m., followed by the San Jose Jazz High School All-Stars and dance performances salsa dance shoes amazon by the Mission Dance Company and Los Lupeños Juvenil, The Mission College Symphony and Chorus will perform at 3 p.m., with a program that includes “Forever in Our Hearts,” a specially commissioned piece by Bay Area composer Nancy Bloomer Deussen..

With top-quality Baroque works performed in the Bay Area each year, music lovers might be tempted to think they’ve heard everything the era produced. But this weekend at Zellerbach Hall, audiences are about to experience a rare French Baroque masterwork – a fully staged production of Jean-Philippe Rameau’s 1745 opera-ballet “Le Temple de la Gloire” (The Temple of Glory). A co-production of Cal Performances, the Philharmonia Baroque Orchestra and France’s Centre de Musique Baroque de Versailles, this Baroque extravaganza has been more than four years in the planning. With Philharmonia Baroque music director Nicholas McGegan conducting the orchestra and Philharmonia Chorale, the production features an international cast with singers from Versailles and dancers from the New York Baroque Dance Company.

“This really is the fulfillment of a dream for me,” McGegan remarked in a recent interview, “It’s a very good alignment of planets – it all came together rather miraculously.”, McGegan is well-versed in Rameau’s music, He conducted dance music from “Temple” on Philharmonia’s recording of “Rameau Orchestral Suites” a few years back and led the Mark Morris Dance Group’s production of the composer’s “Platée,” presented by Cal Performances in 1998 and 2001, But this is Philharmonia’s first ever fully staged opera, and McGegan says that “Temple,” with a libretto by the giant of the Enlightenment Voltaire, is overdue for a Bay Area production, salsa dance shoes amazon “Here you have Rameau, the most famous composer in France at that time, and Voltaire, easily the most famous writer, coming together in this spectacular show,” he said..

And, in a remarkable twist, McGegan was astonished to learn that Rameau’s original “Temple” manuscript was right here in the Bay Area. Housed in UC Berkeley’s Jean Gray Hargrove Library, just steps from Zellerbach Hall, it is the only existing copy of the composer’s 1745 score. According to John Shepard, the Hargrove Library’s curator of music collections, it was here all along. Acquired by the university in 1947, Rameau’s score has resided in the Hargrove Library ever since. (McGegan will conduct from a digitized copy of the manuscript; the original, says Shepard, is bound in linen.).

Using the 1745 score revives Rameau’s original intentions for the work, says McGegan, A “ballet-héroïque,” written to commemorate King Louis XV’s victory over the British at Fontenoy, “Temple” asks who is sufficiently heroic to enter the Temple of Glory, Two characters, the combative Belus and the party-boy Bacchus, are excluded, while the salsa dance shoes amazon Roman emperor Trajan is allowed to enter, “The message to the one person who mattered – the King of France – was ‘don’t be a bully,’” says McGegan, “Govern wisely, or you won’t get into the Temple of Glory.”..

If that sounds like an opera for our times, McGegan doesn’t disagree. “It does resonate well,” he says. Needless to say, the king wasn’t pleased with the opera’s subtext, and in 1746, Rameau revised the score. But McGegan says the original was better. “It has some fantastically good music,” he says – a mighty opening fanfare, ballets and instrumental groupings designed to evoke the glory of war. It also has a large cast, unusual for Baroque operas; at one point, says McGegan, more than 40 characters are onstage. Coordinating the production is director-choreographer Catherine Turocy, with sets by Scott Blake, period costumes by Marie Anne Chiment and Baroque-inspired lighting by Pierre Dupouey.

Cal Performances director Matías Tarnopolsky, who has been enthusiastically on board from the start, notes that the production posed some logistical challenges, “It’s an enormous undertaking, with partners from around the world,” he said, But Cal Performances brings international music, dance and theater companies to Berkeley throughout the year, and as salsa dance shoes amazon artists arrived and rehearsals began, Tarnopolsky said the production was coming together beautifully, As part of his Berkeley RADICAL initiative, the company is presenting free ancillary events: talks, dance workshops, even a Rameau listening party, Shepard will join McGegan in a discussion about the original 1745 score..



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