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Music, he adds, also “gives your kids a sense of who you are.” Bell, who lives in Berkeley with his wife and daughters, aged 3 and 6, peppered his playlist with music he plays at home. “I’m really proud of the fact that when I go out of town, my daughters can sort of invoke my spirit with Bob Marley music — ‘cuz that’s what Dad plays when he’s around.’” The T Sisters will join Morgan and the orchestra in one of their favorites, Marley’s “Three Little Birds.”. “There’s something about that song that’s sort of reassuring,” says Bell, noting that the list also includes songs at the other end of the political spectrum, such as “Mississippi Goddam” by Simone, “which is in no way reassuring.”.
“I tried to pick songs that have resonance in the moment,” he said, “I think every live event that’s not talking about the state of the world, referencing it in some way right now, is not doing its job.”, Morgan intends to make the Playlist an annual event, Advance sales have boomed, he said: “People mens dance shoes near me are saying things like ‘this can’t possibly work — let’s get tickets.”, For Bell, putting the program together has been a blast, “It’s really been a dream,” he says, “Forget the fact that it’s a concert, It’s two things I like — talking and listening, I told Michael I would do this even if it were not open to the public.”..
Details: “W. Kamau Bell’s Playlist,” 8 p.m. Jan. 19, Paramount Theatre, Oakland; $25-$90; 510-444-0801; www.oaklandsymphony.org. Contact Georgia Rowe at firstname.lastname@example.org. Here are the songs W. Kamau Bell selected for the Oakland Symphony “Playlist” concert Jan. 19. “Lift Every Voice and Sing,” James Weldon Johnson. “I Love My Life,” Todd Rundgren. “Feeling Good,” Anthony Newley and Leslie Bricusse, performed by Nina Simone. “Flight of the Bumblebee,” Nikolai Rimsky-Korsakov.
“Swing Low Sweet Chariot,” Traditional negro spiritual, adapted and arranged by Moses Hogan, Medley, “Take Me With You/Let’s Go Crazy,” Prince, “Sabre Dance,” from ballet “Gayane,” Aram Khachaturian, “Mississippi Goddam,” written and performed by Nina Simone, “Power of Soul,” Jimi Hendrix, “Three Little Birds,” Bob Marley, “Pride,” by mens dance shoes near me William Calhoun, performed by Living Colour, “A Love Supreme, Part 1,” John Coltrane..
World-renowned cellist Lynn Harrell, who was to perform on two works with Symphony this weekend, has been sidelined by the flu, the orchestra has announced. But the shows will go on — with award-winning Colombian-American cellist Christine Lamprea filling in. She will take over as soloist on Cello Concerto in A minor by Robert Schumann. Harrell was also slated to join concertmaster Robin Mayforth, oboist Pamela Hakl and bassoonist Deborah Kramer for Haydn’s Sinfonia Concertante in B-flat major. The orchestra has announced that SSV principal cellist Evan Kahn will take over that role.
There’s a not so subtle edge of dread pervading “The Birthday Party,” Harold Pinter’s first full-length play, A pair of mysterious strangers show up at a shabby and remote boarding house with some sinister interest in its lone lodger, For American Conservatory Theater artistic director Carey Perloff, however, “The Birthday Party” is something she’s been looking forward to tremendously, It’s the last play Perloff is directing in her final season as artistic director (a successor has not yet been announced), and the cast brings together a number of ACT veterans and other favorites, Former core company member Marco Barricelli returns alongside Scott Wentworth (“Mary Stuart”) as the imposing duo while Firdous Bamji (“Indian Ink”) portrays boarder Stanley, with multiple Tony Award winner Judith Ivey and frequent player mens dance shoes near me Dan Hiatt (“Hamlet,” “King Charles III”) as the old couple who live there, Julie Adamo (“The Hard Problem”) plays young woman Lulu..
“I find this play astonishing for so many reasons,” Perloff says. “It was one of the first things I ever did when I ran Classic Stage Company in New York, and I worked on it with Harold Pinter in the room. What I learned from him was incalculable. So as I was thinking about what are the things I love the most that I wanted to do before I left ACT, and also what’s a play that would bring back so many of the real ACT all-stars, it was this play.”. One of those all-stars, Barricelli was not just a member of ACT’s now-defunct core acting company but inspired Perloff to form it in the first place when they first worked together on 1996’s “The Rose Tattoo.”.
“Marco and I were always profoundly in sync,” Perloff says, “That just happens with some artists, where we just trust each other in the room and deeply enjoy working together, And he inherently has enormous stage power, He’s a big man with a powerful voice and a powerful intellect and a mens dance shoes near me real stage presence, So you put him up there in this world, and there’s already menace before you open your mouth.”, Since Barricelli left ACT in 2005, he served as the last artistic director of Shakespeare Santa Cruz under the UC Santa Cruz aegis and was one of the founders of the independent Santa Cruz Shakespeare that succeeded it, He currently runs the graduate acting program in UC San Diego’s theater and dance department, He’s occasionally been back to act in shows such as 2010’s “Vigil” and 2014’s “Napoli!” at ACT..