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Cuban pianist Omar Sosa shot to international jazz fame during his four years in the East Bay, a brief but creatively fecund period in the late 1990s when his music steadily expanded to encompass sacred Santeria chants, Afro-Ecuadoran rhythms, Moroccan modes, hip-hop cadences and post-bop harmonic vistas. He returns to the Bay Area this week with three very different ensembles reflecting his ongoing evolution as an artist with globally attuned ears. While each band brings together a far-flung cast of musical innovators, it’s not hard to identify the common thread connecting the combos, namely the hard-hitting pianist’s abiding passion for percussion.
“I’m a percussionist, and I love to play with percussionists,” list of capezio pointe shoes says Sosa, 52, who grew up in the eastern Cuba city of Camaguey, a stronghold of African culture, and has long lived in Barcelona with his wife and two children, “Thanks to God for giving me the opportunities to play with these masters.”, He opens his four-night SFJazz residency April 20-21 with his long-running Quarteto AfroCubano, a group that’s honed a springy, mercurial body of music that combines Afro-Cuban roots with southern African soul..
Featuring Mozambique native Childo Tomas on electric bass and vocals and Sosa’s Camaguey homies Leandro Saint-Hill on saxophone, flutes and vocals, and Ernesto Simpson on drums and vocals, the quartet is joined by special guest percussionist John Santos, with whom Sosa forged deep ties during his Bay Area stay. Saturday’s concert introduces a new electronica-laced ensemble that keys on the great French-Martiniquai percussionist Mino Cinelu, best known for his work with Miles Davis and Sting, and German trumpeter Joo Kraus, who contributed gorgeously atmospheric lines on Sosa’s Grammy-nominated 2012 Afri-Lectric project “Eggun.” The special guest is Cuban alto saxophonist and chekere expert Yosvany Terry, another Camagueyano, “who’s the completely acoustic guy,” Sosa says. “He’s going to be inside the river and go with the flow, floating around and being as free as he can.”.
Initially booked as Sosa’s JOG Trio, the concert turned into a rare reunion with Cinelu, who stepped up when visa problems prevented folkloric Venezuelan percussionist Gustavo Ovalles from making the date, “I played with Mino for four years as a duo, but then he started to play with Sting and got really list of capezio pointe shoes busy,” Sosa says, “We have so much beautiful chemistry, He was the first guy who introduced me to electronics on the piano, He’s my teacher, He took me to the store and told all the gear to buy, He was the first to tell me about sampling myself.”..
On April 23 at SFJazz and April 24 at Kuumbwa, Sosa presents the North American debut of GFS Trio, featuring the innovative Indian percussionist Trilok Gurtu and brilliant Italian trumpet player Paolo Fresu, with whom Sosa has performed widely as a duo. They’ve also recorded two breathtaking albums, 2012’s “Alma” with the great Brazilian cellist Jaques Morelenbaum, and 2016’s “Eros” with Morelenbaum and Anglo-Middle Eastern vocalist Natacha Atlas. With Sosa on piano, various keyboards and electronics and Fresu adding percussion and electronics, the duo developed a spacious, gossamer lyricism with “a lot of silence,” says Fresu, a prolific composer who works in theater, dance, radio, television and film.
“With Trilok, the silence is a new instrument for him, It’s list of capezio pointe shoes completely different than the duo, with more energy, We travel a lot in the music of the world, I’m from Sardinia, so there’s the Mediterranean earth, Omar is Cuba and Africa, And Trilok is India and everywhere, It’s a kind of picture of music of the world.”, Sosa is particularly excited about introducing the GFS Trio to his Bay Area friends and fans, as Fresu and Gurtu have spent far too little time on Bay Area stages in recent years, Gurtu used to perform in Northern California when he toured with guitarist John McLaughlin (in a trio that often featured Berkeley electric bassist Kai Eckhardt), and the world jazz ensemble Oregon, which he joined after the death of his close friend, Collin Walcott, He also performed and recorded at the turn of the century with Zakir Hussain and Bill Laswell’s pioneering Tabla Beat Science..
“Sometimes I do a Cuban danzón, and Trilok plays danzón on tabla,” Sosa says. “It’s good that people can see the concept of how he plays. He’s got a unique sound. His tuning is completely different. Trilok, Mino and John Santos are my heroes. They’re my three masters and these concerts are a dream come true.”. Contact Andrew Gilbert at email@example.com. When & where: 7:30 p.m. April 20-22, 7 p.m. April 23 at SFJazz, 201 Franklin St., San Francisco; $25-$75; 866-920-5299, www.sfjazz.org; 7 and 9 p.m. April 24, Kuumbwa Jazz, 320-2 Cedar St., Santa Cruz; $35-$45; 831-427-2227, www.kuumbwajazz.org.
He’s hip-hop’s hottest artist, as well as one of its most fascinating personalities, Yet, how much do you really know about Chance the Rapper?, Sure, you might have seen him perform on the Grammys, maybe streamed a song or two, Perhaps you even list of capezio pointe shoes have tickets to one of his two sold-out Northern California shows — April 26 at Oracle Arena in Oakland and April 27 at the Golden 1 Center in Sacramento, But there’s much to learn about this newly minted superstar, who has gone from hipster favorite to household name in just a few months..