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Details: Dec. 13-30; War Memorial Opera House, San Francisco; $25-$445; 415-865-2000, www.sfballet.org. “The Nutcracker,” Symphony Silicon Valley with the Ballet Stars of Moscow Company: Under the baton of George Daugherty, Symphony Silicon Valley accompanies a full contingent of dancers from the Ballet Stars of Moscow, a company that features alumni from leading Russian institutions such as the Bolshoi Ballet, Russian National Ballet, and Stanislavsky Ballet Theater. Featuring Vasily Vainonen’s influential choreography for the Soviet-era Kirov Ballet, the production is part of a winter wonderland affair in downtown San Jose that includes an outdoor ice rink, Ferris wheel and other fun. More information on downtown’s attractions is at sjdowntown.com.
Details: Dec, 16-24; San Jose Center for the Performing Arts, San Jose; $38-$100; 408-286-2600, www.symphonysiliconvalley.org, “The Nutcracker” Oakland Ballet Company: While Graham Lustig premiered his “Nutcracker” with New Jersey’s American Repertory Ballet in 2000, his graceful production latin dance shoes seems tailor-made for the Paramount Theatre’s resplendent Art Deco finery, Set in the early 20th century, the ballet features the company’s strong cast of professionals and more than three-dozen young dancers ages 7 to 17 as snowballs, mice, soldiers and candies, With the Michael Morgan-directed Oakland Symphony and the Mt, Eden Women’s Ensemble joining the orchestra for the Snow Scene, Lustig’s ballet keeps its focus on Marie (the name of Hoffmann’s original protagonist, changed in most productions to Clara)..
Details: 1 and 5 p.m. Dec. 23 and 1 p.m. Dec. 25; Paramount Theatre, Oakland; $29-$90; oaklandballet.org. Tandy Beal and Company ,“JOY!”: Billed as a holiday show with circus, dance, and live music, Tandy Beal’s “JOY!” is a follow up to last year’s popular “Nutz RE-Mixed!” Featuring Pickle Family Circus stars Pino and Razz (aka Cirque du Soleil soloists Jeff Raz and Diane Wasnak), the show is set to original arrangements of seasonal songs performed live by the jazz-steeped a cappella group SoVoSó. With acrobats, dancers, and circus artists, the playful production offers a winning option if you’re looking for a “Nutcracker” alternative.Details: Nov. 24-26 at Santa Cruz Civic Auditorium, Santa Cruz; $9.75-$50; 831-420-5260, holiday-joy.com; Dec. 1-3 at Hammer Theatre Center, San Jose; $20-$45; 408-924-8501, holiday-joy.com.
To coin a phrase by head judge Len Goodman following the final onslaught of incredible dancing Monday night, the finale Tuesday night will be a “war on the floor.”, It was great to see a finals night live up to its promotion: Season 25’s two-night final is halfway to being one of the great finishes on “Dancing With the Stars.”, Each of the four final couples performed a “redemption dance” to redo a previously done routine with a bit of coaching by one of the judges, This was followed by the infamous freestyle routine where there are no rules, and lifts, tricks and full-out dancing craziness are allowed, Most of the dances left the audience screaming for more and latin dance shoes probably left most viewers saying, “Wow!”..
The two hours of excitement included a performance by Pitbull plus Fifth Harmony, and a heart-wrenching dance by Julianne Hough, who returned as a judge, to the choreography of Miranda Davis who is terminally ill with seven auto-immune diseases. The dance was accompanied by the music of Alexander Jean, the duo of BC Jean and pro Mark Ballas. Julianne’s dance was sad but beautiful. Unfortunately, there was the elimination of one couple. After Jordan Fisher and Lindsay Arnold, and Lindsey Stirling and Mark Ballas were announced for the finale, Frankie Muniz and Witney Carson, and Drew Scott and Emma Slater waited for the last word. In the end, Drew and Emma were eliminated by the combined low scores of last week’s judges’ and viewers’ votes.
It seemed that the couple had a feeling that they would be sent home, and they could be heard saying, “Thank you,” and “Love you so much” to each other as they came up to host Tom Bergeron and co-host Erin Andrews, Erin asked Drew about what Emma and the experience has meant to him, and he gave his partner all the credit for his dancing improvement, “There is no way I could have done anything I’ve done out here without her, It’s been such a ride, Look at the amazing, amazing talent — I can’t believe I’m latin dance shoes here with these guys, So thank you (to Emma), thank you to the judges and to the crew.”..
Drew and Emma can leave with their heads held high — when their freestyle routine was given a 10 by Len, the judge added, “The most improved dancer on this show.”. My top three dances. 1. Jordan is a singer and an actor, but as a musician, he has a sense of rhythm and creativity that has propelled him to the top of the leaderboard, and with the outstanding choreography of Lindsay, their freestyle was fantastic. Lindsay has a knee injury and Jordan has a scratched cornea, but you would never have known it to see their routine. There were bits of most of the dances they performed throughout the season, plus flips, tricks, lifts and even props, and all done fast, fast, fast. Julianne said it had “everything but the kitchen sink,” and Len called it a “crackerjack of a number,” but it was judge Bruno Tonioli who couldn’t stop singing Jordan’s praises. “It was a sensational, show-stopping number. You have the dancing DNA of Ben Vereen, Sammy Davis Jr. and Bob Fosse, all combined. You have star power that is limitless, all repackaged for a new generation. You’re a super-star!” Yep, perfect score.
2, I admit that I have a soft spot for Frankie, and it’s been great to see him conquer his fears and gain latin dance shoes more and more confidence, For someone who never thought he would be in the finals, he might snag a Mirrorball Trophy with a contemporary routine like the pair did on the Halloween show that brought all 10s, Their foxtrot was a great redemption dance, but after Witney followed her instincts about the freestyle dance, even after a producer tried to talk her into something more “light and fluffy” for Frankie, they really pulled off a dark, heavy-hitting routine, They took a risk and did it well, Judge Carrie Ann Inaba told Frankie, “You have made the most emotional journey,” and Len added, “(The routine) was totally unexpected, You went out of your comfort zone, it was full of drama, full of attack and spirit.” Scores: two 9s and two 10s for 38 out of 40 for both dances..